Title sequences have certainly evolved. A good example of one who delivered an infamous title sequence was Kyle Cooper while working on David Fincher's "Seven". We hope to use the close up shots of images not quite showing the main plot but rather hinting at it making the audience feel vulnerable and anticipating. The score becomes louder as the titles roll on and we have all agreed to conform to this code.
We are also considering using the jolty, sketchy credits to make the viewer uneasy and vulnerable also - versus for example, the gentle score and slowly fading in titles of Robert Mulligan's "To Kill A Mockingbird" (1962)
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